Visual Kei A New Subculture - 1691 Words

Visual Kei is one of the longest lasting subcultures within Tokyo, however, a new subculture trend is visually striking in a far opposite way. It s called Yamanba and it has people at a loss for words. Most are conflicted as to whether this subculture is attractive or a joke. Yamanba dress features vibrantly colored ultra feminine clothing, long teased colored hair with extensions, and bizarre face makeup that will make anyone take a second look. Yamanba is virtually a female only subculture that emerged from the ashes of the ganguro subculture of the mid to late 1990’s. It is a subculture that, similar to its predecessor, has set out to challenge the societal norms of Japanese beauty standards: pale skin, neutral makeup, dark hair. Yamanba females darken their faces to a shade of dark orange and borderline black pigment. Then, they contour it with bright white and shades of pink without the use of evening and blending the skin tone. The dress of Yamanba communicates anarchy a nd protest to the patriarchal society and repressing standard of beauty for women; and to those who wear the Yamanba dress, it communicates freedom of expression and freedom from society s robotic standards of beauty. Yamanba hair is genuinely similar to the American scene style hair. Teased high for volume and complemented with flat ironed straight hair extensions. Yamanba hair is oftentimes curled, often in excess. Even curled, their hair is still excessively long and extremelyShow MoreRelatedThe Real Harajuku1943 Words   |  8 Pagesera], kawaii [cute], punk, ganguro [symbolizes a California girl with bleached hair, dark skin, fake eyelashes, and nails], cosplay [most common name for â€Å"costume players† or those who dress up like Japanes animated characters], hiphop, skater and visual-kei [style of bands]† (Rockers). Their clothing can vary from shades of black to shades of bright colors and from plain fabrics to all kinds of different prints. They also change t heir hairstyles and hair color and they also put on makeup. They trulyRead MoreHeavy Metal Music7270 Words   |  30 Pagesstatus common throughout the history of the genre. In the mid-1970s  Judas Priest  helped spur the genres evolution by discarding much of its  blues  influence;  Motà ¶rhead  introduced a  punk rock  sensibility and an increasing emphasis on speed. Bands in the  New Wave of British Heavy Metal  such as  Iron Maiden  followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as metalheads or headbangers. In the 1980s,  glam metal  became a major commercialRead MoreJapanese Street Fashion2780 Words   |  12 Pageswear like kimonos, is their way of making statements about their cultural influences and way of life. Lolita, Kogal, Cosplay, Ganguro are some of the most sought after styles that Japanese youth display on the streets. Lolita is a style with many subcultures, such as Punk Lolita, where chains, beads, lace and wristbands are popular accessories along with pink and peach colors prints. Gothic Lolita focuses on styles emerging from the Victorian age such as dark colors, black make-up, heavy brooches, andRead MoreCaso 07 Hatsune Miku Japanese Virtual Idol Ignites Global Value Co creation8417 Words   |  34 Pagesranked first, ahead of Lady Gaga and Justin Bieber.5 Miku herself, in her live-performance hologram form, was slated to be the opening act for a month of shows in Lady Gaga’s Artpop tour starting in May 2014.6 Miku’s exploding popularity brought with it new business opportunities for the company that created her. As of January 2014, 100,000 copies of the Hatsune Miku software had been sold.7 In addition, Crypton licensed the rights to use Miku’s name and image to publishers, game makers, character goods